Othello

"Take note, take note, O world,

To be direct and honest is not safe."

Read | Questions | Resources | Links | Performances | Papers | Back


Read

  • the text's introduction to the play (first)

  • have a look at Prof. Don King's notes on the play

  • Alvin Kernan's essay "Othello: An Introduction" (be prepared to discuss the essay in class), available on reserve in the library in Kernan's in A. Harbage, Shakespeare: The Tragedies [RES: Personal Copy]; be prepared to discuss Othello's character, the setting, and the movement from Venice to Cyprus.

  • after thinking about the motivation behind Iago's actions, read the three different assessments of Iago's character in the critical commentaries by Bradley, Gardner, and Spivack (class handout). With which assessment[s] does your understanding of Iago's character most closely agree?

    Questions

    For now, use these study questions from Prof. J. M. Massi!

    Resources

  • Insightful articles on Iago include the following:
      - S. T. Coleridge, "The Motiveless Malignity of Iago," in Siegel, His Infinite Variety , pp. 304-07 [RES: PR 2976 .S45].
      - Leah Scragg, "Iago--Vice or Devil?" Shakespeare Survey, 21 (1968), esp. 61-64.
      - Bernard Spivack, "Iago Revisited," in Alfred Harbage, Shakespeare, The Tragedies, pp. 85-92 [RES: Personal Copy].
  • You might wish to look at one of these relevant articles:
      - A. C. Bradley, "Othello," in his Shakespearean Tragedy [RES PR 2983 .B7]
      - G. R. Hibbard, "Othello and the Pattern of Shakespearean Tragedy," Shakespeare Survey, 21 (1968), 39-45 [Ref: PR 2888 .C3]
      - Michael Neill, "Changing Places in Othello," Shakespeare Survey, 37 (1984), 115-32 [Ref: PR 2888 .C3]
      - E. E. Stoll, "Source and Motive in Macbeth and Othello," in Shakespeare: Modern Essays in Criticism, ed. Dean [RES: PR 2976 .D4]
  • If you would like to read about the Elizabethan Englishman's attitude toward and knowledge of foreigners, particularly Moors, you may wish to consult one of these articles:
      - Bernard Harris, "A Portrait of a Moor," Shakespeare Survey, 11 (1958), 89-97 [Ref: PR 2888 .C3]
      - G. K. Hunter, "Elizabethans and Foreigners," Shakespeare Survey, 17 (1964), 37-53 [Ref: PR 2888 .C3]
  • You may also wish to consult these books on the play:
      - George R. Elliott, Flaming Minister: Othello as a Tragedy of Love and Hate (Durham, N. C.: Duke Univ. Press, 1953) [PR 2829 .E6]
      - Allan H. Gilbert, Principles of Criticism: Othello, The Merry Wives of Windsor, and Hamlet (Detroit: Wayne State Univ. Press, 1959) [PR 2829 .G37]
      - R. B. Heilman, Magic in the Web: Action and Language in Othello (Lexington: Univ. of Kentucky Press, 1956) [PR 2829 .H4].
      - Bernard Harris, "A Portrait of a Moor," Shakespeare Survey, 11 (1958), 89-97 [Ref: PR 2888 .C3]

    Also relevant to Iago is Craig Harris' To Prove a Villain - The Elizabethan Villain as Revenger .

    Films

  • Paintings of scenes from the play from the Emory University collection

    Performances

  • Othello (Laurence Fishburne, Irene Jacob, Kenneth Branagh)

  • Oliver Parker's film adapatation (from Castle Rock)

  • depictions of various actors playing Othello's role, entitled "Multiple Othellos"

    Papers